Boston Book Festival

Audre Lorde said, “Poetry is not a luxury.” To think, write, and be fully engaged with the world around us in ways that matter is nothing less than a radical act of survival. Cast across continents and centuries, matrilineage and inherited silences, Joan Kwon Glass’s Daughter of Three Gone Kingdoms explores colonialism and postcolonialism through disordered eating, suicide loss, religious damage, familial estrangement, addiction, motherhood, and recovery. Matthew E. Henry’s latest collection, said the Frog to the scorpion, blurs the lines between pedagogy and prejudice, romance and anti-racism, from conversations in public school classrooms and faculty meetings, to arguments in restaurants and folding tents. Jennifer Martelli’s latest collection, Dear Justice, complicates the personal and political with a series of epistolary sonnets—addressed to conservative Supreme Court judges—that embody the struggle against gender oppression, systemic violence, and the ongoing threats to reproductive rights. In SKY.POND.MOUTH, Kevin McLellan’s poems navigate the poetic inheritance of experimental queer poets—Ashbery, Schuyler, Stein. McLellan records the inner echoes of mind and body: language and desire, illness and eros, flora and fauna, memory and moment. In poems of reclamation and warning, Anna V. Q. Ross’s Flutter, Kick plumbs motherhood, migration, childhood, and the cycles of violence and renewal that recur in each. Sponsored by Mass Poetry.